peter nesteruk (home page: contents and index)

 

 

The Context of the Self                      

 

 

 

 

 

It is a commonplace of modern linguistic methodology to say that words and sentences take their meaning from contexts, are pragmatic, relational, that is to say that the source of their identity is contextual; however it is another statement completely to suggest that the self, our self, also takes on its hue from its immediate environment, that its, our, identity, our felt identity, also, behaves like a protective colouring, like the skin of a identity chameleon, and changes according to the situation that envelops it. The suggestion is that our identity too inflects like a verb; that we form our cases, take our cues, become someone ‘different’, according to who we are with and where; so choosing self (our feelings and self-image) and words to match. The ‘who’ including parents, lovers, friends, peers, grand-parents employers, those younger or older than ourselves, below or above us in the local hierarchy, children, strangers and those we are unsure of - or even frightened of… The ‘where’ includes actual space with its shape and significances, and social space with its attendant role play and verbal nuances; all applies to, or includes, inflects, the self in space as such … whence the importance of art and architecture, urban design, landscaping, gardens. Types of space determine types of consciousness…

      A consciousness which first of all is conscious of, and in, the present, a consciousness, we might say, which is this present; always is this present, is always in this present (too much past and we become melancholic, too much future and we become anxious – either way unable to cope with the exigencies of the present situation). So the role of ‘contenting’ this present, the ‘filling’ of this ‘Eternal Present’, so to speak, falls to our past and our present input, to our present experience allied to, or topping up, our past experience. The space we find ourselves in… providing the potential content, or type of content, for the Eternal Present’s ever-open sensorial and synthesizing frame… and unless we are focused on some task, the quantitatively overwhelming mass of data that we reconstitute (largely unconsciously) into the ‘world’ we perceive: the time, our temporal sense, we provide ourselves. So, whilst conscious, unceasingly synthesizing our present, the one in which we live (whilst we live) eternally (and from which we generalize our useful but fictional ‘parallel universe’ of Eternity)… This fixed mechanism gives us our frame with its portable, automatically ‘updating’ background feed of memory; past memory allied to future intentions, responding, sometimes reflexively, to the new worlds that engulf it, that englobe it - so constituting the ‘self’ that meets the space (which it has ‘made’ in its nervous system) and by which it is made, in turn – perhaps to be made at home in it, or not… (the negative reaction itself is a making of the surroundings in question). A frame with an occupant. A genius loci. Ourselves, self-personifying, the self-conscious ‘content’ of the frame…

 

**The frame on which we hang our clothes. Changeable; but not with the eager alacrity which distinguishes the mutability of the self. As when our person adapts itself to a new environment - but our clothes do not… and we -embarrassed- feel the disparity acutely; under or over-dressed, now signaling that we are somebody we were not (just) before…. (our mind, our identity has changed with the physical or social context we find ourselves in – our clothes do not). The cut of the clothes; accessories to what image… the cut of subjectivity. For clothes also are a context for, as well as off, the self; costumes and make-up, a matter of style; a portable environment (up to and including the mask, but an extension of make-up, or that so-carefully chosen expression). All are self-forming or self-supporting, with the stress on the first syllable (and in both cases if we read as modified predicate rather than topic/comment, then empty, the head noun, the subject is missing… invisible to the naked eye – no ‘self’). And all, in turn, give a self we have to live up to (as well as being orientated around, an imaginary self-image as Ur-model of the moment). It would be hard to gainsay the role of clothes, or our ‘look’, as determinant of self-making… as what may incite a new self, or ‘appropriate’ self, as a change of attitude… as ‘attitude’. But all just part of a disguise, hiding behind an image, behind make-up (masks of course, are also a part of showing, or becoming, a different self - but literal masks are now seldom worn…). Work clothes, of course, emphasis the role at the expense of the person, that is their function, a message to the viewer and to the wearer, both. Role model: modelling a role, a reminder; the uniform as self… reduced (or bloated) into a function. Work, place, family, position, clothing and activity… all involve expectations… all evoke (insist on) a given role according to context (adopting the is role may involve homo duplex, a divided self, public and private, but part of us at least has the sense to comply with the demands of the situation… and this posture is also an internal one, a mental ‘position’). The self as recognition, as quest for self, is strongly configured in our interaction with the ground floor strip lining the city’s streets and squares, and of course their interior equivalent, the mall, is often reduced just to this function. Rooting our recognition desire in the shop window, conveniently with our reflection superimposed… The tall middle of our urban space is the zone of our sexual curiosity (how do others live?), never extinct, always pointing the gaze. Finally, when we look up; the rim of the skyline with its decorations and peaks; home of sacred desire and nature’s original meta-frame and symbolic complement –the heavens. Architecture as environment as shaped by us over the millennia; symbiosis, of psychology and built environment; of self and material culture…). Reflexive causality; cumulative. Sequence of reflecting mirrors.

 

Interior as mirror, a co-ordinated light and sound show, picture of the world as the place of the self, in the world, and in the head… a spatial reconstruction in time (the effect of the present, with the slightest of time lags for neurological processing) our input, with awareness of such, of our position at the centre of such, as (the) self…

 

Frame reframed. Whereby ritual as a time-space intensity is at once a repetition of the basic unit of our existence, our experience, and a setting apart… The brute fact of repetition is identity-confirming, renewing; the second time insists – we add emotion as the glue. Setting a part; part of a whole, a whole which includes our preconscious self and our physical corporality (our body) – as well as our real (or imagined) community of identification. Our sense of belonging, our sense of a whole. The part, our consciousness alone. A part apart. A part and its input…

 

Input providing space, ordering by the brain providing, past, present (and future) human time… (human) temporality. Our life in the Eternal Present; us in the ‘now-moment’… all we see, hear, smell, taste, touch, our ‘picture’ (including of ourselves) is given… We live the giving. Are its product… Past habit configures how we respond… and even what we see… (the very ability to see something, separate it from its environment; recognition as a function of prior experience).

 

Which is precisely why we seek out certain types of space, for the quality of time we can spend in them (for the quality of the time we can spend in them – the quantity exchanges for quality). For the sense of self that we seek from them, from being in them. The translation of the filling of the cup of the self from the font of our content, our environment - our input. But a special input.  A translation from space to place. Place as the ritualisation of space. The place of renewal. A special case of space as we experience it (reflexive… doubly so, always implying an extra fold in the warp and woof of the process of personal identity). Its unceasing giving of itself to us, and our ability to receive this gift… and our unceasing giving back, our self as what is given back. As what is given. A gift. And our attitude to this gift… shown in the manner of our return of gift…

 

 

(The Calligraphy of the Other). Writing the self; righting the self; riting the self: phonetic coincidence apart, these three have no connection. Yet the fantasy of the transformation of the self by change of environment still remains, a moral expansion, a utopian hyperbole, product of the false belief that we are a tabula rasa – an absorbent white page on which another’s desire may be written in words of wet black ink. Product of the forgetting that we all have a past, that we all have sets of habits, of action and response, as of thought and memory, which are us (which give us) our form in time, the frame o groove, which guides further input; a change of content, if I may put it this way, is not a change in form, or better, frame… To leap from the contingency of the self to the miracle of the self-redeemed (according to whose dream?) is not self-knowledge (knowledge of limitations and liabilities and range) but wish-fulfillment, religion of the most febrile kind (the clutching at straws by those who have already drowned…). Desire writ large: desire de-contexualisd. (The Other Calligraphy).

 

Moral persistence is often a case of inner insistence against a changing environment…

 

The range of the self… (desire may be infinite… but life is finite – and possibility limited).

 

                                                                      *

 

How does it work? Our relationship with the places we visit, the spaces we come to inhabit… (The context of the self). If we first imagine the self as something re-formed… continually reformed… by its context, by any context… any given context, in the abstract, in and by any particular situation; then by a special context for a special purpose, for a particular (type of) self; a context chosen, even ritualized… So our environment, or context of being, may be read as (experienced as) functioning as our final determinant – the stage that writes the script of the play. For even as we ourselves are the final determinant of meaning, the final context of words and phrases, images and views – all of which take their (final) meaning, their identity, from their context of occurrence, their co-occurrence, with ourselves, so we too are meaning (identity) in context…  ‘Final’ because the last word is ours, the user, reader, receiver… in situ… in terms of interpretation, of understanding, of use… But we too are made, are constructed according to the influence of this present context, a product of our present (as well as past) environment; our context, our environment. So not only is it the word, or sentence -utterance- that gets its meaning from use and context; as also too, the meaning of things, for us, from poem to image, from novel to landscape. So too do we… And I do not mean for or through others’ eyes (this we already know) I mean from out of ourselves we find that we ourselves, are influenced, moved, shaped, fashioned by our context: by space and sight and sound, our moment in time taken by our surroundings, taken by a book or poem, or picture in a gallery, filled by their input, ourselves now something other than before; and then, with the return of self, the return of memory, or rather with the return of memory, the insistence of the past, our past, our ‘selves’ too return, in their new form as present experience in re-combination with our memories, a past self which I lost momentarily, but utterly. (And so it is that we choose our environment carefully, choose our context of being, in order be someone of a certain type… a certain manner of self…).

 

Influx… tidal. …others unknowing that to find us they too must be abandoned, rewritten, re-inscribed, only then (with the return of their consciousness) to be able to imagine… to find us all at sea, lost in space, lost in time, not knowing who or where we are, overwhelmed…

 

(…and if the past insists, or is summoned by our new context, or the future interferes, called up by our anxiety, or its own urgency, perhaps prompted by something in our present situation, then, ’I lost myself for a second’ becomes, ‘I forgot where I was for a moment’… ‘I was just somewhere else…’, as our other two main temporal modes of being assert their right to consideration in the present).

 

For ‘it’ fills us, fills our Eternal Present, eternally, always, a water tank re-filled, a river flowing, the past receding, the present splashing us on the face (’in your face’) and so we swim on (the ‘direction’ is the future, but this is never present, we can but imagine, and must, this temporality being at the mercy of desire…). The present, we are… always drowning in it, swimming in the midst of a shoal, a current at once with us and against us. A drowning in life in which we often gasp for air; an on-going event, a drowning in the present; and so a present which requires a receding tidal flow, or better, a recess in the quantitative flood, a hiatus, in which to still the waters, find a shaded backwater and float unconcerned or rapt – but no longer bothered… filled with a different in-flow. So also a qualitative change in input… (the function of gardens, the function of the quiet space in our lives).

 

(We are) a function of our sense receptions, held together by the fact that we remember who we are, our proper name and history and a (fluctuating) set of identity propositions some of which we would desperately defend because felt as close(est) to our-selves. As sacred (as in the rhetorical question: ‘Is nothing sacred?’). Self as made by environment - our immediate environment - in co-action with our past; and that self as, in turn, giving the final meaning to things… that is identity, oneness, a final ‘unity’ to things as they appear to us, so unifying us, in turn, offering identity, a self… Is this too radically contingent? Self and its judgments as always… too fresh… too ‘now’, always changing in the Eternal Present (within the frame of the Eternal Present)… both self and constructing self, both self as constituted and self as constituting meaning…  (And so is it a case of… No longer ‘who’… but what, or… where, has the last word?).

 

Self via context; self, made out of context (‘self-made’… only out of context). The question is redundant: we ask ourselves: why seek out such places? Yet we always (already) know; know what self are we after… (or the ‘self’ we are is always already made, freshly minted and blissfully unaware of any change). We choose the place to match, to call out, to invoke, to summon ourselves; to prosopopoeia ourselves (a prosopopoeia of the self; self-summoning), summoning our absent (dead) selves within the pentacle of a chosen context, the selves we want to be(come)… Our rationale for visiting the places of the dead. A Lazarus reawakened…

 

And so to a very particular context; the (absent) object (the ‘thing’ under taboo….).

 

 

The memory of our-selves, our past self (semi-present) in a new context, a new present (the last word). And so, the self in context, most deliberately in ritual context, may become other selves. Indeed, the selves of ritual would include the following: spirit possession, being taken by the spirit, being mounted by the spirit, becoming medium, a medium for another’s voice, speaking in tongues, the possession of the shaman, the witchdoctor, the ecstatic monk or nun. And if the form of the ritual context in its ending, or completion (its exit rite), does not recall or release or exorcise the new self, the ‘visitor’? Then a split personality, a multiple personality, results, also fruit of another a ritual situation, the analysts’ chair or couch… selves created in context, according to context… fruit of suggestion and disorder… selves created in context, repetitions, like ritual, but not known as such, like the family, or situations of pressure or denial. Selves created by order: selves created in order, to prove a thesis, to prove a theory – to stop an endless gap.  A procession of selves. The possession of many selves; a form of self-possession… Possession: gift of the gods, or of devils, of God or of the Devil, or the expectations of the other, the analyst; possession as mark of the sacred, or curse of the supernatural, the professions of the unprofessional. Possession of the possessors, (advantaged, insiders) and for the dispossessed, the others - religion as bad. Or evil. The cults of the poor. Because fact and material (possession as proof), and not, Christian or other (State-) sanctioned monotheism. And the presence of ‘proof’, the possession attested to by kinds of behaviours and witnessed by others, therefore must be classified as ‘the devils’ work’. Ignoring the history of dancing and shaking and gift of speech, the testifying, of Christian communities, testifying to their connection with the heavenly powers, (unless defined as the opposite, by Church or State) as well as the experience of mystics across the centuries…

                                                                             

No right of exit…

 

(Self-modification): the wearing of a mask as prop. The staged drama of the self: concealed… Throughout the ages the mask has enabled ritual identity and spirit possession, from ‘witch doctors’, shamen (tribal ‘mediums’), through religious possessions, to modern ‘mediums’, ‘spiritualists’ (usually male with the exception of female shamanism in Korea (their other selves, as if ‘ridden’ by a spirit…) - as also the female spiritualists of 19th century Europe. Part of the age old game of gendered self and ritual as manifested in the use of masks, dressing up, masquerade - usually with the men as ‘gods’ and the women as the audience (secret is, knowing that ‘the gods’ are really just men in masks… a ‘public secret’, as in the case of Santa Claus and children). Masks enable myth in ritual… (Like statues in gardens). Part of the long list of our identifications (like watching a film and ‘becoming’ the person we identity with, hero or heroine, active or passive, survivor or sacrifice…).

 

And what of all the ‘remembered’ pasts; the ‘pasts’ before our pasts; the endless anecdotes of ‘past lives’ remembered…. The past selves, the memories re-created, memories that are the fruit of Hinduism and Buddhism in popular aspect - reincarnation. The ‘proofs’ of religions very old and also very new… Also the fruit of the religion of therapy, now turned to the therapy of religion, now called meditation, or ‘going clear’, or being ‘under analysis’ or some other form of counselling write large, supported by a cult, a religion, a metaphysic… techniques of the self… produce self, regardless of the claims made otherwise (whether to dissolve self or rediscover). Regarding production, I mean this quite literally: ‘they produce self…’ Or rather, ‘selves…’ as at times ‘they’ take on seemingly distinct identities… ‘chameleon–like’ personalities, mimics, responding to ‘suggestion’, creating out of the merest suggestion – manifesting an extreme sensitivity. We might even go so far as to pose a gradient of ‘self-production’, ranging from degrees of positive or negative response, to mood swings to hormones, from the sweet-talker to the giver of ultimatums, from the macho bully to the craven coward (all in ‘the blink of an eye’). Then proceeding to interactional selves, ‘who we are when we are with whoever’, who we are depends on who we are with (different roles for different relations) the self to other relation as conditioned by gender, generation, social class, education, cultural difference and religion, of course all manner of hierarchy - ‘even’ appearance, fashion, mannerisms and manners (as well attested to by the study of discourse) influencing and influenced by… So what we have is the ‘person version’ of ‘context makes meaning’ equation; ‘context makes meaning makes self’ you might say… Equally true of work and ritual type roles; family, work, leisure, all the many manifestations of the personal attunement to situations public and private… All the way to ‘becoming the job’ (becoming, or not, the President… inhabiting the role). And from the counselling that alters self a bit (from the chat that is also a mood calmer) to the selves produced, and ‘split’ personality (but somehow they still ‘know’ each ‘other’, that is, there is continuity… the person(s) usually manage to carry on ‘as if’ they knew what their alter egos had passed through). All in the context of an authority figure, the authorizer, or real author, of the new self… or selves. Indeed in the case of ‘schizophrenia’ and multiple-personality disorders, these latter often appear to have been produced - this time unwittingly - in the course of therapy itself. From the couch to the clinical ‘production’ of identity in the (post)modern epoch. All the way to our sense of ourselves in context; in a cathedral, before a mountain range, hand in hand watching a sunset… Sublimity is precisely another name for the washing away of one self with another.

 

All manifestations of the production of the self, in context, to order, part of the everyday rituals of life, as well as a feature of the intense rituality of our sacred events… (as once was, now exiled from most peoples’ lives, apart from the ritual consumption of alcohol or other chemical intoxicants, intoxication as possession, as unwinding, the unwinding of the self, as loss of inhibition, loss of self, as loss of possession). The possession by another. Possession by the Other.

 

It would appear that just as words ultimately take their meaning from their context, as therefore do sentences, whether in text or in discourse, actually-used language, and as so too do things, objects we use, become culture, become meaning, at a particular time and place, even too our genes, through the mechanism of ‘gene expression’, express themselves according to their environment, so too do we, our very selves, the colours and clothing of the naked pronoun ‘I’, our identity, also take meaning, change meaning, change identity, according to our contexts…

 

As we can see (as we can experience… as we have experienced…) in what is perhaps the most extreme example of the radical contextuality of identity: what happens when our collective being (the iceberg below the surface of ‘individuality’) when the debt we owe our part/whole relationship is made manifest in the crowd: as noted by Freud, in his Group Psychology, Elias Canetti, in Crowds and Power, and of course in Durkheim’s homo duplex, the diremption between the private and public self, the individual when alone and when part of a collective event; an experience described by Gustave le Bon in La Foule, which indicated to what extremes people might go when in a crowd, when part of a mob… Surely a limit case of extreme sensitivity to the Other. The apparent total bypassing of the self. Such a being might more properly be called, homo contexualis…

 

So again what we have the identity change gradient, the degrees and types of the transformations of the self according to context and ritual… quality and quantity, from moods, to role, to possession, to split personality… from mood swing to membership of a mob… This gradient evokes another map of the self in its ritual crossing with the identity exchange gradient, also a ritual exchange, of matter, others, time and space, for the renewal of self, for the affirmation of a given, normally collective, so recognition-based, identity. And sometimes too the renewal looks more like a rebirth; repetition more like a reinvention. All in part due to our physical, social and mental entropy, as manifested in the weakness of the past, the unreliability of memory, including even to remember who you are (who you were…) the constitutional weakness of the self (‘strong’ only in brute repetition), ‘weak’ in its mutability, its changeability, its utter capriciousness. Self-identity: contextual cuckoo.

 

                                                                      *

 

Is our identity really so contingent - contextual? The part in the whole. Mimetically taking on the colouration of the whole (the place in which we find ourselves, find a version of our selves). For otherwise do we not fall into the trap of a (Neo-)romantic ‘authenticity’? An obsession with a ‘true’ self and our quest for this chimera: as opposed to the context-bound passage of consecutive selves, a succession of identities, each as ‘true’ as the others… a succession of passing ghosts, of passing statues… The parts in the whole. Caught between the lure of openings and being part of an opening. Between perceiving and inhabiting. Between nature as desire for the object and Nature as our ecology and home. Where else to situate the spirit of the place? Locative spirit, earth-bound ghost, a foot in both camps; like nature, as once (to us) suggesting specific beings and universal Being; at once here and now, the matter of living things and the frame; geology too, with its near mythic temporal periods, it too is nature: and Nature too (upper case) is the name we give the universal that lifts ‘above’ the particular, the particular culture, time bound and annoyingly, pitifully, real. ‘Nature’ as synonym for eternity, trans-historical and a-temporal (home to axioms as much as gods). Nature as… nature worship; for nature worship too is to be found here, the nature hidden behind the historical culture of the park, tamed nature, hidden Nature... The Nature of the Romantics and today’s Neo-romantics, the age–old ‘Nature-first’ philosophy continued (as old a philosophy as the first philosophers, East or West) the Fall we love to fall for... The eternal truths revealed only in the depths of the grotto, deep in the fissure, buried in the cave - and only to those first driven temporarily insane… the possessed. Genius loci incarnate. Space incarnate. The space of the self.

 

 

 

 

 

 

 

 

 

Copyright Peter Nesteruk, 2017