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Some Relevant Publications:
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Selected Articles in Books and Journals:
‘The Transgressive Turn: American Writing of the late 1980s and early
1990s’, Borderlines: Studies in American Culture,
2. 4 (1995).
‘Interpreting Architecture:
‘The Many Deaths of Emily Dickinson’, The Emily Dickinson Journal, VI.1 (1997). *Most frequently
down-loaded article on ED in May, November and December, 2010 (Project MUSE).
*Recommended
reading by Perspectives in American
Literature (PAL) on-line research resource.
‘The Incest Theme in American Writing: Two Hundred Years in the Life of a
Literary Motif’, Borderlines: Studies in American
Culture, 4. 4 (1997).
‘Ritual, Sacrifice & Identity in Recent Political Drama’, Journal of Dramatic Theory & Criticism, XV.1 (2000) pp. 21-42.
‘When Space is Time: The Rhetoric of Eternity: Hierarchy & Narrative
in Late-medieval and Renaissance Art’, in Gerhard Jaritz & Gerson Moreno-Riano
(eds.), Time and Eternity: The Medieval
Discourse, selected papers from the International Medieval Congress, Leeds
2000 (Turnhout, Belgium: Brepols, 2003) pp. 403-426.
‘Ritual & Identity in Twentieth Century American Drama’, Journal of Dramatic Theory and Criticism, XIX.2 (2005) pp. 43-70.
‘Light & Time: Vision, Image, Other’, in Jacopo Benci, Lontana et luminoso (BSR publications,
‘Black
and White Photography in China: Time as Aesthetic Genre’ / 黑白摄影在中国:时间的修辞艺术作为一种文艺流派的定义, Pixel: Journal of Photography, 5 (2010).
Books:
Mimesis: Architecture, the Beautiful & Sublime
(Hypsosis Press,
2008).
The Industrial Aesthetic: 798 &
D-Park
(Hypsosis Press, 2009) with photographs by Yu FengGe.
A Rhetoric of Time in the Arts: Entropy
Eternity & Utopia in Visual Culture (Lambert Academic Press, 2011).
Selected Others (Reviews, Exhibition Texts):
Review,
Jacqueline Rose, The Haunting of Sylvia
Plath, in Over Here: Reviews in
American Studies, 12.1 (1992).
‘Reality
& its Shadow’ (video by Jacopo Benci), programme/press release, F-EST
Europe Video Art Festival, London (2003).
‘writ in water’, in writ in water: Ode to Mutability ,
Silvia Stucky (Keats-Shelley House,
‘Lost Dreams’/失梦园
Preface to Lost Childhood, Images by Yu Fengge (Beijing,
2008).
‘Emptying
Space in the Fullness of Time’ Preface to Passing Time, Images by Yu Fengge (
‘The
Ghost in the Machine’ Photographs by Li Yaning. Text: Silent Spaces exhibition, Jing Guang
Gallery,
‘Black,
White and Blue’, Preface to Happy
City, Images by Yu Fengge (
‘Lakes
and Pools/The Space Above Water’/在水一方 (zai shui yi fang). Curator
and featured text, Peter Nesteruk. Photography: Yu Fengge. Translation: Yang
Hang. Calligraphy: Li Yaning. Zha Zha Gallery,
Copyright 2009, Peter Nesteruk