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Some Relevant Publications:
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Selected Articles in Books and Journals:
‘The Transgressive Turn: American Writing of the late 1980s and early
1990s’, Borderlines: Studies in American Culture,
2. 4 (1995) pp. 331-350.
‘Interpreting Architecture:
‘The Many Deaths of Emily Dickinson’, The Emily Dickinson Journal, VI.1 (1997) pp. 25-43.
*Top
ten and often most-frequently down-loaded article on ED in 2010-12. Most
frequently down-loaded in 2014 (Project MUSE).
*Recommended by Literary History and Perspectives in American Literature (PAL) on-line research resources.
‘The Incest Theme in American Writing: Two Hundred Years in the Life of a
Literary Motif’, Borderlines: Studies in American
Culture, 4. 4 (1997) pp. 358-380.
‘Ritual, Sacrifice & Identity in Recent Political Drama’, Journal of Dramatic Theory & Criticism, XV.1 (2000) pp. 21-42.
*Recommended
reading for English Degree at
‘When Space is Time: The Rhetoric of Eternity: Hierarchy & Narrative
in Late-medieval and Renaissance Art’, in Gerhard Jaritz
& Gerson Moreno-Riano (eds.), Time and Eternity: The Medieval Discourse,
selected papers from the International Medieval Congress, Leeds 2000 (Turnhout,
Belgium: Brepols, 2003) pp. 403-426.
‘Ritual & Identity in Twentieth Century American Drama’, Journal of Dramatic Theory and Criticism, XIX.2 (2005) pp. 43-70.
‘Light & Time: Vision, Image, Other’, in Jacopo Benci,
Lontana et luminoso
(BSR publications,
‘Black
and White Photography in China: Time as Aesthetic Genre’ / 黑白摄影在中国：时间的修辞艺术作为一种文艺流派的定义, Pixel: Journal of Photography, 5 (2010).
‘Moments
of Ritual Displacement, Strategies of Being Lost’/
‘具有仪式感的替代时刻：“迷失”的策略’ in GB: MEP, Paris Exhibition
Catalogue. Languages:
Chinese & English/英文，中文. Translation：欧阳宜文。(中国民族摄影艺术出版社，2016/ China Nationality Art Photography Publishing House, 2016).
‘Moments
of Ritual Displacement, Strategies of Being Lost’/ ‘Instants de déplacement rituel :
stratégies de l’être-perdu’
in GB:
MEP Paris Exhibition Catalogue (Maison European de la Photographie:
Contrasto, Artron, 2016).
Books:
Mimesis: Architecture, the Beautiful & Sublime
(Hypsosis Press, 2008).
The Industrial Aesthetic: 798 &
D-Park (Hypsosis Press, 2009) with photographs by Yu Fengge. Limited Edition.
A Rhetoric of Time in the Arts: Entropy,
Eternity & Utopia in Visual Culture (Lambert Academic Press, 2011).
Mimesis/Anti-Mimesis (GRIN Verlag, 2013). 2nd
Ed.
William Faulkner: An Aesthetics of
Transgression
(Amazon, 2014).
On Being Human: Twelve Meditations with
an Afterword on ‘Boredom’ (GRIN Verlag, 2014).
The Industrial Aesthetic: 798 &
D-Park
(Amazon, 2014). Photography: Yu Fengge. Bilingual;
Chinese Translation by Yang Hang.
黑白照片的理论：黑白摄影在中国 (中国民族摄影艺术出版社，2016).
A Theory of Black and White Photography: Black and White Photography
in China
(China Nationality Art Photography Publishing House, 2016). Languages: Chinese
& English/中英. Fully Illustrated.
(Visiting)The Places of the Dead: A Philosophy
of Travel,
(Amazon, 2017).
Language and Logic; Temporality, Metaset, Recursion, (Amazon, 2017).
Mimesis/Anti-Mimesis, 3rd.Ed. (Amazon, 2018).
On Being Human: Twelve Meditations with
an Afterword on ‘Boredom’, 2nd.Ed. (Amazon, 2018).
Chinese Gardens: Poetics, Aesthetics and the Four Seasons /中国园林：诗意/审美与四季 (China Nationality Culture Publishing
House, 2019/中国民族文化出版社，2019). Chinese /中/英). Photography: Hong Lei/ 摄影:洪磊. *Winner of two prizes: ‘Most Beautiful Book in China’;
& ‘This Year’s Top Ten Books’, China Photography
Magazine.
黑白照片的理论：黑白摄影在中国 (中国民族文化出版社，再版2019).
A Theory of Black and White Photography: Black and White Photography
in China
(China Nationality Culture Publishing House, Second Edition, 2020). Languages:
Chinese & English/中英. Fully Illustrated.
The Double Economy: and Other
Essays on Diremption (Hypsosis, Amazon, 2021).
Subtitle: ‘Disjunctive Reciprocity (Knowledge at its Limits). Diremptive Isomorphisms: Contraries and Parallelisms in the
Sciences, Thought, Art and Culture.
On describing and representing the world in a non-unified field or
divided manifold’.
Film:
‘Chongqing: The Disappeared City’/重庆：消失的城市 （2020）
Photography
by 蔡蔡/Sophie Cai. Full length film
(in three parts) now available in English and Chinese on the Bilibili Web Portal. Rough-cut also released, episode by
episode, weekly, over 6 months: comprising 3 trailers and 23 episodes… . To see
all versions (as well as other video works by Sophie and Peter) go to:
https://space.bilibili.com/514299554
: also on Vimeo & Instagram (on Peter’s
account).
Selected Others (Reviews, Exhibition Texts):
Review,
Jacqueline Rose, The Haunting of Sylvia
Plath, in Over Here: Reviews in
American Studies, 12.1 (1992).
‘Reality
& its Shadow’ (video by Jacopo Benci),
programme/press release, F-EST Europe Video Art Festival, London (2003).
‘writ in water’, in writ in water: Ode to Mutability , Silvia Stucky (Keats-Shelley
House,
‘Lost Dreams’/失梦园
Preface to Lost Childhood, Images by Yu Fengge (Beijing, 2008).
‘Emptying
Space in the Fullness of Time’ Preface to Passing Time, Images by Yu Fengge (
‘The
Ghost in the Machine’ Photographs by Li Yaning.
Text: Silent Spaces exhibition, Jing Guang Gallery,
‘Black,
White and Blue’, Preface to Happy
City, Images by Yu Fengge (
‘Lakes
and Pools/The Space Above Water’/在水一方. Curator and featured text,
Peter Nesteruk. Photography: Yu Fengge.
Translation: Yang Hang. Calligraphy: Li Yaning. Zha Zha Gallery,
Copyright 2009, 2016, Peter Nesteruk